1659-1743 French Hyacinthe Rigaud Gallery He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659). In 1682, he was awarded the Prix de Rome. He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles. In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Hyacinthe Rigaud died in Paris, France on December 27, 1743.  Related Paintings of Hyacinthe Rigaud :. | La famille Laffite | Madame holding a crown of a daughter of France | Portrait of Louis Antoine de Pardaillan de Gondrin | Robert de Cotte | Portrait of Charles de Saint-Albin, Archbishop of Cambrai |
Related Artists:
William Morris Davis
February 12, 1850 - February 5, 1934,Davis, who was born in Philadelphia, Pennsylvania, was educated at Harvard. He returned to teach there in 1877 after a period as a meteorologist in Argentina and as an assistant with the North Pacific Survey. He became professor of physical geography in 1890 and of geology in 1898. Davis is acknowledged as the founder of geomorphology, the study of landforms. In his The Rivers and Valleys of Pennsylvania (1889) he first introduced what later became known as the Davisian systems of landscape analysis. His aim was to provide an explanatory description of how landforms change in an ideal situation and his most important contribution to this was his introduction of the cycle of erosion into geographical thought. He proposed a complete cycle of youth, maturity, and old age to describe the evolution of a landscape. In youth rivers occupy steep V-shaped valleys while in old age the valleys are broad. The end product would be a flat featureless plain he called a epeneplaine. This was an ideal cycle but in practice the cycle would invariably be interrupted by Earth movements. It was, nevertheless, strongly attacked by German geographers who objected to it on the grounds that it neglected such vital factors as weathering and climate in transforming the landscape. They also believed him to be undermining their argument that landforms could only be discovered by local fieldwork and the production of regional monographs. Davis also produced an influential work,
Ivan Berezin
Ivan Berezin (1721-1784)
Oskar Schlemmer
German Abstract Painter, 1888-1943 German painter, sculptor, choreographer and stage designer. After the death of his parents he lived with his sister at Geppingen, and in Stuttgart from 1903 to 1905 he served an apprenticeship at a workshop specializing in marquetry while attending classes at the Kunstgewerbeschule. He continued his studies on a bursary from 1906 to 1911 at the Kunstakademie in Stuttgart under the plein-air landscape painters Christian Landenberger (1862-1927) and Friedrich von Keller (1840-1914). In 1911-12 he lived in Berlin, where he produced paintings such as Hunting Lodge, Grunewald (1911; Stuttgart, Staatsgal.) and Self-portrait (1912; Stuttgart, Staatsgal.) under the influence of Cubism. After returning to Stuttgart, Schlemmer studied under Adolf Helzel,